60s-based play looks at stigma of teen pregnancy

Be My Baby
Amanda Whittington¬"s debut play Be My Baby sheds light on teenage pregnancy in 60s Britain. Featuring an all-female cast the play has proved incredibly popular with schools and drama groups across the UK and is currently a set text for GCSE English Literature.
Set in a Mother and Baby Home in 1964 in the north of England, the play follows the fortunes of Mary Adams, aged 19, unmarried and seven months pregnant. Forcibly sent there by a mother intent on keeping up appearances, Mary ¬ along with the other girls in the home ¬ has to cope both with the shame and the dawning realisation that she will have to give the baby up for adoption whether she likes it or not. Despite this, and an overbearing matron, the girls¬" youthful effervescence keeps breaking through, as they sing along to the girl-group songs of the period.
Commissioned by Soho Theatre, the play started out as a story of a grown woman meeting her adopted child. However, as Whittington began to research she came across the story of Britain¬"sAmanda Whittington¬"s debut play Be My Baby sheds light on teenage pregnancy in 60s Britain. Featuring an all-female cast the play has proved incredibly popular with schools and drama groups across the UK and is currently a set text for GCSE English Literature.
Set in a Mother and Baby Home in 1964 in the north of England, the play follows the fortunes of Mary Adams, aged 19, unmarried and seven months pregnant. Forcibly sent there by a mother intent on keeping up appearances, Mary ¬ along with the other girls in the home ¬ has to cope both with the shame and the dawning realisation that she will have to give the baby up for adoption whether she likes it or not. Despite this, and an overbearing matron, the girls¬" youthful effervescence keeps breaking through, as they sing along to the girl-group songs of the period.
Commissioned by Soho Theatre, the play started out as a story of a grown woman meeting her adopted child. However, as Whittington began to research she came across the story of Britain¬"s
Amanda Whittington¬"s debut play Be My Baby sheds light on teenage pregnancy in 60s Britain. Featuring an all-female cast the play has proved incredibly popular with schools and drama groups across the UK and is currently a set text for GCSE English Literature. Set in a Mother and Baby Home in 1964 in the north of England, the play follows the fortunes of Mary Adams, aged 19, unmarried and seven months pregnant. Forcibly sent there by a mother intent on keeping up appearances, Mary ¬ along with the other girls in the home ¬ has to cope both with the shame and the dawning realisation that she will have to give the baby up for adoption whether she likes it or not. Despite this, and an overbearing matron, the girls¬" youthful effervescence keeps breaking through, as they sing along to the girl-group songs of the period. Commissioned by Soho Theatre, the play started out as a story of a grown woman meeting her adopted child. However, as Whittington began to research she came across the story of Britain¬"s

Hebden Bridge Little Theatre